The series begins with Dorothea Lange’s 1938 photograph of the wife of a Mexican sharecropper near Bryan, Texas: a hard-edged document of labor, poverty, and endurance. As an AI repeatedly describes the image and regenerates it from its own descriptions, the documentary frame is softened into a stylized rural portrait. The woman is progressively de-ethnicized and juvenilized: skin lightens, features are smoothed, and the setting shifts from fields to a nostalgic mid-century suburban America of cars, lawns, and bright color. The pose remains, but its meaning changes—from dignity under constraint to a marketable “retro” identity—until the final images read as cheerful, white, all-American girlhood. The drift makes visible how the loop trades historical specificity for a familiar, consumable ideal.